Flameworking artist, Sara Sally LaGrand, shares how her glass art has evolved from creating beads to building sculptural work by assembling smaller glass pieces with the help of a wire base, an idea inspired while studying large museum pieces by Dale Chihuly. Her current sculptural work revolves around colorful, whimsical bird figures and abstract shapes.

This article was originally published on page 16 in the Spring 2013 issue of The Flow.
Back issue magazine, Digital Issue available.